May 20, 2013
red-lipstick:

Bruno Vergauwen - Body Microbes, 2013           Cover for New Scientist magazine Jan., 2013

red-lipstick:

Bruno Vergauwen - Body Microbes, 2013           Cover for New Scientist magazine Jan., 2013

May 20, 2013
maxiquy:

Here’s another illustration I did for The Psychs.

maxiquy:

Here’s another illustration I did for The Psychs.

May 20, 2013

(via lukedixonart)

May 20, 2013
phillipdvorak:

One of my figure drawings - charcoal on paper (20 minute pose).

phillipdvorak:

One of my figure drawings - charcoal on paper (20 minute pose).

(via alyciazu)

May 19, 2013

seafarers:

Misty Morning by Javier de la Torre

(via brianmoloko)

May 19, 2013
areaofinterest:

Michael Chase

areaofinterest:

Michael Chase

(via red-lipstick)

May 18, 2013

mydarkenedeyes:

Hand studies

I should start working on something like this with the conte.

May 18, 2013
sh4rkies:

Black Swan & kois 黑天鵝 & 錦鯉 »» Melinda

sh4rkies:

Black Swan & kois 黑天鵝 & 錦鯉 »» Melinda

(via narciii)

May 14, 2013
oldbookillustrations:

Notre-Dame des Andelys.

Herman A. Webster, from Prints and their makers, by Fitzroy Carrington, London, 1913.

(Source: archive.org)

oldbookillustrations:

Notre-Dame des Andelys.

Herman A. Webster, from Prints and their makers, by Fitzroy Carrington, London, 1913.

(Source: archive.org)

May 13, 2013
"That’s what art does, that’s what it’s for — to show you that what you think can be erased, cancelled, turned on its head by something you weren’t prepared for — by a work, by a play, a song, a scene in a movie, a painting, a collage, a cartoon, an advertisement — something that has the power that reaches you far more strongly than it reaches the person standing next to you, or even anyone else on Earth — art that produces a revelation that you might not be able to explain or pass on to anyone else, a revolution that you desperately try to share in your own words, in your own work."

— A fine addition to history’s finest definitions of art from Greil Marcus’s fantastic 2013 SVA commencement address on how the division of high vs. low robs art of its essence. (via explore-blog)

(Source: , via explore-blog)

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